Adobe premiere elements 12 anleitung deutsch free.Adobe Photoshop Elements 12 & Adobe Premiere Elements 12
This document contains information to get you started with Adobe Premiere Elements It also includes last-minute product information and updates. Adobe Premiere Elements can capture or import video from the following devices. You can find an updated list of tested devices online. Copyright Adobe Systems Incorporated and its licensors. All rights reserved. Adobe, the Adobe logo, and Adobe Premiere are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and other countries.
Portions use Microsoft Windows Media Technologies. Microsoft Corporation. All Rights Reserved. Legal Notices Online Privacy Policy. ReadMe Adobe Premiere Elements Installation Notes. Installation can fail or take a long time when some anti-virus software is running on your computer. If you face problems, please restart your machine and try once more. System Requirements. Supported file formats. Supported video devices.
DV Camcorders, including mini DV camcorders. For Nokia phones, install the software provided with your phone. Digital still cameras Webcams WDM cameras. Additional Resources and Training.
You can have previous versions of Adobe Premiere Elements installed on your computer. However, do not run them simultaneously. However, after you save the projects in Adobe Premiere Elements Mac version of Adobe Premiere Elements does not support Windows projects and vice versa.
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Adobe premiere elements 12 anleitung deutsch free -
Color Cast Correction offers one-click adjustments to remove color cast problems. Edit art on layers To create composite images, you can simply drag and drop an object including text and images from one file to another. Because these objects exist on separate layers, you have the flexibility to move or modify the objects without affecting the rest of the image. Similarly, you can adjust and store color correction choices in editable layers without altering your original image layer.
Create subtle or spectacular effects The Liquify command lets you quickly distort an image by interactively twisting and pulling it as if it were made of putty. You can use the command as a touch-up tool to make subtle enhancements as well. Page 18 10 Overview Erase The Background Eraser lets you easily remove the background of a photo without affecting the foreground.
You can then paste the foreground object into another image to create professional, seamless composites. Easy to Use and Affordable With an intuitive interface and affordable price, Photoshop Elements enables anyone interested in digital imaging to quickly enhance their images using professional tools. Hints and Recipes The Hints palette provides context-sensitive illustrations and tips that explain how to use Photoshop Elements tools. The Recipes palette interactively teaches you how to perform a variety of multistep tasks, such as adding gradient effects, yet still gives you full control throughout each task.
You can scan through a variety of predefined styles in the Layer Styles palette and then apply a style by clicking it. Moreover, you can apply styles cumulatively, giving you the freedom to mix and match styles to achieve just the right effect. Filters you can preview Over 90 special-effects filters are provided in the Filters palette. Undo errors The History palette provides extensive undo capabilities. You can quickly view your most recent editing operations in the palette and use multiple undo levels to correct mistakes and experiment without worry.
Page 20 12 Overview Web Tools Photoshop Elements provides a series of commands and tools that let you quickly and easily create eye-catching visuals for your Web page.
Add custom effects You can specify layer settings such as drop shadows, bevels, and glows. This gives you a fast way to create realistic three-dimensional text, buttons, and other effects that look as if you spent hours refining them. Once applied to art on a layer, anytime you edit that art the effect is instantly updated and reapplied to the new art. GIF animation tools You can enhance or create animations for the Web by importing or creating GIF animations using layers, in which each frame of the animation is a separate layer.
You can then interactively preview the results before saving the file. In this way, you can experiment with real-time image-compression controls to create quality images with minimal file sizes. Explore Your Creativity Photoshop Elements software provides endless ways to get creative with your images. Its wide variety of tools and commands provide easy yet powerful ways to create and modify images.
Built-in libraries You can easily add interesting graphic elements to photos or create Web buttons and banners by choosing from a large library of shapes and symbols and applying effects to them.
Effects The Effects palette includes drag and drop simplicity for applying complex effects to text, textures, frames, and images. Drag the effect and watch the program automatically jump to life, executing the commands that generate the visually rich results.
Page 22 14 Overview Make text changes without dialog boxes You can freely add and change text, fonts, and type effects such as warping directly to these elements without having to make your changes within restrictive dialog boxes. Art brushes A wide variety of brush libraries are included that let you add paint strokes that simulate different painting and drawing techniques. For more brushes, you can load other brush libraries, create your own brushes, or modify existing ones.
Or you can use the Impressionist tool to quickly give photos the look of an artistic painting. Produce Outstanding Results Photoshop Elements software provides highly flexible image capture and output options. You can work with images from digital and film cameras and scanners to easily prepare professional-quality output for print, email, or Web posting.
Incorporate graphics Once you have created the image you want, you can incorporate your graphics into printed flyers, brochures, and presentations. The Picture Package feature automatically generates multiple copies of a photo in different sizes on a single page, similar to the photo packages traditionally sold by portrait studios. This enables you to maximize the use of expensive photo-quality paper, and gives you a simple way to create and print a contact sheet of your images for easy reference.
Built-in Adobe color management ensures that the colors you see on-screen match what you get in print. Multiple file formats, including PDF You can open, save, and print all major graphics file formats, including layered Photoshop files.
Web-based photo printing Photoshop Elements provides simple-to-use access to Web photo services, letting you upload your images to supported sites easily from within the program. Depending on the service, you may be able to add borders, create personalized greeting cards, or order prints that are then mailed directly to anywhere you want, such as to friends, family, clients, and customers.
Note: Not all services are available in all geographic regions. Photoshop Elements gives you an efficient work area and user interface to create and edit images for both print and the Web. W Getting familiar with the work area The Photoshop Elements work area is arranged to help you focus on creating and editing images. About the work area The work area consists of the following components: Menu bar The menu bar contains menus for performing tasks.
The menus are organized by topic. For example, the Layers menu contains commands for working with layers. Shortcuts bar The shortcuts bar displays buttons for executing common commands. Palette well The palette well helps you organize the palettes in your work area. Palettes Palettes help you monitor and modify images. Using the tools Some tools in the toolbox let you select, edit, and view images; other tools let you paint, draw, and type.
You can view information about any tool in the toolbox by positioning the pointer over it. The name of the tool appears below the pointer—this is called the tool tip. Additional information about the tool appears in the Hints palette. You must select a tool in order to use it. The currently selected tool is highlighted in the toolbox. Some tools have additional tools beneath them—these are called hidden tools. When you see a small triangle at the lower right of the tool icon, you know that there are hidden tools.
Options bar The options bar provides options for using a tool. A B C Toolbox The toolbox holds tools for creating and editing images. Active tool B. Hidden tool C. By default, the options bar appears below the shortcuts bar at the top of the work area. The options bar is context sensitive, which means that it changes as you select different tools. Some settings in the options bar are common to several tools, and some are specific to one tool.
If the icon has a small triangle at its lower right corner, hold down the mouse button to view the hidden tools. Then, click the tool you want to select. The keyboard shortcut is displayed in its tool tip. To use the options bar: To move the toolbox: Drag the toolbox by its title bar. When this option is deselected, you can cycle through a set of hidden tools by simply pressing the shortcut key without holding down Shift. To move the options bar: Drag the options bar by the gripper bar at the left edge.
The gripper bar will only appear when the options bar is docked at the top or bottom of the application window. The palette well helps you organize and manage palettes. Using the shortcuts bar The shortcuts bar displays buttons for common commands. You can keep the shortcuts bar open in the work area and click commands as you need them.
To see the name of an icon, position the pointer over the icon and its tool tip appears. Shortcuts bar To move the shortcuts bar: Palette well Drag the shortcuts bar by the gripper bar at the left edge. The gripper bar will only appear when the shortcuts bar is docked at the top or bottom of the application window.
Note: The shortcuts bar must be showing in order to use the palette well. To change the size of a palette: Drag any corner of the palette Windows or drag the size box at its lower right corner Mac OS. Note: Not all palettes can be resized. To close a palette: Do one of the following: Using palettes Palettes help you monitor and modify images. There are many ways to organize palettes in the work area. You can store palettes in the palette well to keep them out of your way but easily accessible; or, you can keep frequently used palettes open in the work area.
Another option is to group palettes together in the work area, or to dock one palette at the bottom of another palette. Note: Drag a palette out of the palette well if you want to keep it open. If the palette is grouped with other palettes, the entire group is concealed. Window menu.
All palettes are listed in the Window menu. To group palettes together: 1 Display the palettes you want to group together. If the palettes are in the palette well, drag at least one of them into the work area. A thick line appears around the body of the target palette when the pointer is over the correct area. To always start with the default palette and dialog box positions: Click palette tab, and drag the palette to group. The change takes effect the next time you start the application. Using palette menus Palettes are grouped.
To dock palettes together: Palette menus are an important part of working with Photoshop Elements. Some commands in palette menus can be found in the menu bar; other commands are exclusive to palette menus.
When a palette has a palette menu, a triangle icon appears at the top of the palette. The exact location and appearance of the triangle icon depends on where the palette is located: in the palette well, in a palette group, or in the options bar. A double line appears at the bottom of the target palette when the pointer is over the correct area.
Note: Entire palette groups cannot be docked together at once, but you can dock the palettes from one group to another, one at a time. To move a palette group: Drag its title bar. The hand tool, the zoom tools, the Zoom commands, and the Navigator palette let you view different areas of an image at different magnifications.
You can open additional windows to display several views at once such as different magnifications of an image. Using pop-up sliders A number of palettes and dialog boxes contain settings that use pop-up sliders for example, the Opacity option in the Layers palette.
If there is a triangle next to the text box, you can activate the pop-up slider by clicking the triangle. To use a pop-up slider: Using the document window The document window is where your image appears. You can open multiple windows to display different views of the same file. A list of open windows appears in the Window menu. Available memory may limit the number of windows per image.
Depending on the position of the first window, you may have to move the second window to view both simultaneously. Click outside the slider box or press Enter or Return to close the slider box. To cancel changes, press the Escape key Esc. Magnifying and reducing the view You can magnify or reduce your view using various methods. Click the area you want to magnify. Each click magnifies the image to the next preset percentage, centering the display around the point you click.
When the image has reached its maximum magnification level, the command is dimmed. Click the center of the area of the image you want to reduce. Each click reduces the view to the previous preset percentage. When the file has reached its maximum reduction level so that only 1 pixel is visible horizontally or vertically, the magnifying glass appears empty. When the image reaches its maximum reduction level, the command is dimmed. To magnify by dragging: 1 Select the zoom tool , and click the Zoom In button in the options bar.
These options scale both the zoom level and the window size to fit the available screen space. To automatically resize the window when magnifying or reducing the view: With the Zoom tool active, select Resize Windows To Fit in the options bar.
The window resizes when you magnify or reduce the view of the image. Drag the zoom tool to magnify the view. The area inside the zoom marquee is displayed at the highest possible magnification. To move the marquee around the image, begin dragging a marquee and then hold down the spacebar while dragging the marquee to a new location.
This can be helpful when using smaller monitors or working with tiled views. If you have enlarged your image, you can navigate to bring another area of the image into view. To use the hand tool while another tool is selected, hold down the spacebar as you drag in the image. The new Using rulers and the grid Rulers and the grid help you position items such as selections, layers, and shapes precisely across the width or length of an image.
When visible, rulers appear along the top and left side of the active window. Changing the ruler origin the 0, 0 mark on the top and left rulers lets you measure from a specific point on the image. Position the pointer over the intersection of the rulers in the upper left corner of the window, and drag diagonally down onto the image. A set of cross hairs appears, marking the new origin on the rulers. The new zero origin will be set where you release the mouse.
Note: To reset the ruler origin to its default value, double-click the upper left corner of the rulers. Note: Changing the units on the Info palette automatically changes the units on the rulers. You can also change the units.
Some layout programs use the column width setting to specify the display of an image across columns. The Image Size and Canvas Size commands also use this setting. Duplicating images Duplicating lets you experiment with and compare multiple versions of the same image. You can duplicate an entire image into available memory without saving to disk. To duplicate an image: 1 Open the image you want to duplicate. Choose Lines for solid lines, or choose Dashed lines or Dots for broken lines.
Getting the most out of Photoshop Elements The Photoshop Elements interface provides a variety of features to help you work efficiently and knowledgeably. Some features—such as the Hints palette and the Recipes palette—provide information about using tools and performing tasks. Yet other features—such as context menus, keyboard commands, and the Quick Start window—provide alternate ways to access commands.
You can click the play button , when available, to have Photoshop Elements perform the task for you. Using the Hints palette The Hints palette helps you learn how to use tools and palettes. As you drag or click on tools, the Hints palette will give you information on using the tool.
To use the Hints palette: 1 Display the Hints palette by clicking its tab. Using the Recipes palette The Recipes palette provides activities that guide you through different image-editing tasks. For example, you can view instructions about restoring an old photograph. Photoshop Elements will even do some of the steps for you. To use the Recipes palette: 1 Display the Recipes palette by clicking its tab. Using the Info palette The Info palette provides feedback as you use a tool.
Note: Move the Info palette out of the palette well if you want to view information while dragging in the image. To use the Info palette: 1 Display the Info palette by clicking its tab. The x- and y-coordinates of the pointer. The width W and height H of a marquee or shape as you drag, or the width and height of an active selection.
The x- and y-coordinates of your starting position when you click in the image. To change the unit of measurement displayed in the Info palette: The angle A of a line or gradient; the change in angle as you move a selection, layer, or shape; or the angle of rotation during a transformation. The change in distance D as you move a selection, layer, or shape.
The percentage of change in width W and height H as you scale a selection, layer, or shape. The angle of horizontal skew H or vertical skew V as you skew a selection, layer, or shape.
Choose a unit of measurement from the Ruler Units pop-up menu, and click OK. You can change the type of information that displays.
It also displays a progress bar to help you monitor operations. When an operation—such as applying a filter or using the Photomerge command—is in progress, you cannot perform other operations. However, you can interrupt the process or have the program notify you when it has finished.
Hold down Esc until the operation in progress has stopped. The number on the left represents the printing size of the image— approximately the size of the saved, flattened file in Photoshop format.
The number on the left represents the amount of memory that is currently being used by the program to display all open images. The number on the right represents the total amount of RAM available for processing images. Viewing file information You can view copyright and authorship information that has been added to the file. Photoshop Elements automatically scans opened images for Digimarc watermarks. For section, choose the attribute you want to view.
If the filter finds a watermark, a dialog box displays the Creator ID, copyright year if present , and image attributes.
This option launches the browser and displays the Digimarc Web site, where contact details appear for the given Creator ID. Information dialog box to get information faxed back to you. Keyboard commands let you quickly execute commands without using a menu; modifier keys let you alter how a tool operates.
When available, the keyboard command appears to the right of the command name in the menu. You can view a complete list of keyboard commands and modifier keys in the Quick Reference Card section of online Help.
Using context menus Using the Quick Start window In addition to the menus at the top of your screen, context-sensitive menus display commands that are relevant to the active tool, selection, or palette.
The Quick Start window provides options for creating and opening images, as well as links to online Help and tutorials.
Correcting mistakes Context menu for a document window To use a context menu: 1 Position the pointer over an image or palette item. Most operations can be undone if you make a mistake. Alternatively, you can restore all or part of an image to its last saved version.
But available memory may limit your ability to use these options. To free memory used by the Undo command, the History palette, or the Clipboard: Reverting to any state of an image The History palette lets you jump to any recent state of the image created during the current working session. Each time you apply a change to pixels in an image, the new state of that image is added to the palette. For example, if you select, paint, and rotate part of an image, each of those states is listed separately in the palette.
You can then select any of the states, and the image will revert to how it looked when that change was first applied. You can then work from that state. Actions that do not affect pixels in the image, such as zooming and scrolling, will not appear in the History palette.
If already empty, the item type or buffer is dimmed. About the History palette Important: The Purge command permanently clears from memory the operation stored by the command or buffer; it cannot be undone.
Note: Revert is added as a history state in the History palette and can be undone. Older states are automatically deleted to free more memory for Photoshop Elements.
The maximum number of states is That is, the oldest state is at the top of the list, the most recent one at the bottom. This way you can easily see which changes will be discarded if you continue working from the selected state. Likewise, deleting a state deletes that state and those that came after it. History state B. History state slider C. If you get a message that Photoshop Elements is low on memory, purging states is useful, since the command frees up memory.
Presets are organized by type into libraries. Each type of library has its own file extension and default folder. You can use the Presets Manager to load different preset libraries. The presets you load in the Presets Manager correspond to the presets that appear in pop-up palettes and regular palettes. Important: This action cannot be undone. To replace an existing document with a selected state: Drag the state onto the document. Note: This will replace the original image without changing its name.
Working with presets Photoshop Elements provides predefined brushes, swatches, gradients, patterns, layer styles, and custom shapes called presets. Think of presets as ingredients for creating an image. You select presets through pop-up palettes in the options bar. The Fill dialog box, and Layer Styles, and the Swatches palettes also display presets.
Using pop-up palettes Pop-up palettes appear in the options bar and provide access to libraries of brushes, swatches, gradients, patterns, layer styles, and custom shapes. When closed, pop-up palettes display a thumbnail image of the currently selected preset. When you click the triangle to the right of the thumbnail image, the pop-up palette opens to show you the currently loaded preset libraries.
You can change the display of a pop-up palette to view presets by their names, as thumbnail icons, or with both names and icons. A B The Brush pop-up palette in the options bar. Click to open the pop-up palette. Click to view the pop-up palette menu. When selecting a brush or gradient, be careful not to click the thumbnail image—doing so will display the settings editor for the preset.
To save a library of brushes, gradients, or patterns for later use: Choose the Save command from the pop-up palette menu. Then enter a name for the library file, and click Save. To load a library of brushes, gradients, or patterns: Choose the Load command from the pop-up palette menu. Then select the library file you want to add to the pop-up palette, and click Load.
Note: Using the Load command will add the brush library to the brushes you have available. If you choose a preset library of brushes, the preset library will replace your current set of brushes. Then select the library file you want to use, and click Load. Then click OK to replace the current list. To load to the default library of brushes, gradients, or patterns: Choose the Reset command from the pop-up palette menu.
Note: Not all of the above options are available for all pop-up palettes. Using the Preset Manager The Preset Manager lets you manage the libraries of brushes, swatches, gradients, and patterns that come with Photoshop Elements. For example, you can create a set of favorite brushes, or you can restore the default presets. The configuration of presets in the Preset Manager corresponds to presets that appear in pop-up palettes and regular palettes. Preset files are installed on your computer inside the Presets folder in the Photoshop Elements program folder.
If you want to load a library located in another folder, navigate to that folder, then select the library. By default, preset files are installed on your computer inside the Presets folder in the Photoshop Elements program folder.
To restore the default library or replace the currently displayed libraries: Click the triangle , and choose a command from the pop-up menu. To save a subset of a library: 1 Shift-click to select multiple presets. Only the selected presets will be saved to the new library. If you want to save the library to a folder other than the default, navigate to the new folder before saving.
If you selected multiple presets, you will be prompted to enter multiple names. To delete a preset: Select the preset you want to delete, and click Delete. Preference settings are saved each time you exit the application. Unexpected behavior may indicate damaged preferences.
You can generate a new preferences file with all preference settings returned to their defaults. Configuring Photoshop Elements For information on a specific preference option, search for the preference name in the index. Preferences let you configure Photoshop Elements to best meet your needs.
They can be used to control how the program uses memory, and to control the work area environment. To restore all preferences to their default settings: Setting preferences In Mac OS, do one of the following: Preferences are program settings that control general display options, file-saving options, cursor options, transparency options, and options for plug-ins and scratch disks.
Click Yes to delete the Adobe Photoshop Elements settings file. The Other Cursors options control the pointers for the marquee, lasso, magic wand, crop, eyedropper, gradient, paint bucket, shape, hand, and zoom tools. New Preferences files will be available the next time you start Photoshop Elements. To toggle between standard and precise cursors in some tool pointers, press Caps Lock. Press Caps Lock again to return to your original setting.
The marquee pointer appears by default as cross hairs, the text tool pointer appears as an I-beam, and painting tools default to the Brush Size icon. This option has no effect on the pixels in the file; it simply provides faster previews with the tools and commands.
Cursors, or both to display pointers as cross hairs. Brush Size cursors may not display for very large brushes. The Painting Cursors options control the pointers for the eraser, pencil, airbrush, paintbrush, impressionist brush, background eraser, magic eraser, red eye brush, clone stamp, pattern stamp, and the smudge, blur, sharpen, dodge, burn, and sponge tools.
Resetting all warning dialogs Sometimes messages containing warnings or prompts regarding certain situations are displayed. You can also globally reset the display of all messages that have been disabled. A number of importing, exporting, and special-effects plugins come with your program; they are automatically installed in folders inside the Photoshop Elements Plug-ins folder. You can select an additional plug-ins folder to use compatible plug-ins stored with another application. You can also create a shortcut Windows or an alias Mac OS for a plug-in stored in another folder on your system.
You can then add the shortcut or alias to the Plug-ins folder to use that plug-in with Photoshop Elements. Once installed, plug-in modules appear as options added to the Import or Export menu; as file formats in Open and Save As; or as filters in the Filter submenus.
Note: Photoshop Elements can accommodate a large number of plug-ins. However, if the number of installed plug-in modules becomes great enough, Photoshop Elements may not be able to list all the plug-ins in their appropriate menus. Depending on the resolution of your monitor, installing a large number of plug-ins may cause the menu to extend beyond the screen. Note: When you copy or drag the plug-in files into the Plug-ins folder, make sure that the files are uncompressed.
To install a third-party plug-in module: Follow the installation instructions that came with the plug-in module. Make sure that you do not select a location inside the Plug-ins folder. The path to the folder will appear in the preferences window. That file or all files in the folder will be ignored by the application once it has been restarted. That is, they should not be accessed over a network.
Assigning scratch disks When your system does not have enough RAM to perform an operation, Photoshop Elements uses a proprietary virtual memory technology, also called scratch disks. A scratch disk is any drive or a partition of a drive with free memory. By default, Photoshop Elements uses the hard drive that the operating system is installed on as its primary scratch disk.
You can change the primary scratch disk or designate a second, third, or fourth scratch disk, to be used when the primary disk is full. Your primary scratch disk should be your fastest hard disk, and should have plenty of defragmented space available. Photoshop lets you create up to GB of scratch disk space using those scratch disks. Important: The scratch disk file that is created by Photoshop Elements must be in contiguous hard disk space.
For this reason you should frequently optimize your hard disk. Adobe recommends that you use a disk tool utility, such as Windows Disk Defragmenter or Norton Speed Disk, to defragment your hard drive on a regular basis. See your Windows or Mac OS documentation for information on defragmentation utilities. Page 51 2 Page 52 Page 53 45 Chapter 2: Getting Images into Photoshop Elements ou can get digital images from a variety of sources—you can create new images, import them from another graphics application, or capture them using a digital camera.
Often you will begin by scanning a photograph, a slide, or an image. To create effective artwork, you must understand some basic concepts about how to work with digital images, how to produce high-quality scans, how to work with a variety of file formats, and how to adjust the resolution and size of images. Y Bitmap images are the most common electronic medium for continuous-tone images, such as photographs or digital paintings, because they can represent subtle gradations of shades and color.
Bitmap images are resolution-dependent—that is, they contain a fixed number of pixels. As a result, they can lose detail and appear jagged if they are scaled on-screen or if they are printed at a lower resolution than they were created for.
Note: Bitmap images in Photoshop Elements are not the same as images saved using the. About bitmap images and vector graphics Computer graphics falls into two main categories—bitmap and vector. You can work with both types of graphics in Photoshop Elements; moreover, a Photoshop Elements file can contain both bitmap and vector data. Understanding the difference between the two categories helps as you create, edit, and import artwork. Bitmap images Bitmap images—technically called raster images—use a grid of colors known as pixels to represent images.
Each pixel is assigned a specific location and color value. For example, a bicycle tire in a bitmap image is made up of a mosaic of pixels in that location. When working with bitmap images, you edit pixels rather than objects or shapes. They can have jagged edges when printed at too large a size or displayed at too high a magnification.
Vector graphics Vector graphics are made up of lines and curves defined by mathematical objects called vectors. Vectors describe an image according to its geometric characteristics. For example, a bicycle tire in a vector graphic is made up of a mathematical definition of a circle drawn with a Page 54 46 CHAPTER 2 Getting Images into Photoshop Elements certain radius, set at a specific location, and filled with a specific color.
You can move, resize, or change the color of the tire without losing the quality of the graphic. Vector graphics are resolution-independent— that is, they can be scaled to any size and printed at any resolution without losing detail or clarity. As a result, vector graphics are the best choice for representing bold graphics that must retain crisp lines when scaled to various sizes—for example, logos. An image with dimensions of pixels by pixels would fill this small screen.
On a larger monitor with an bypixel setting, the same image with bypixel dimensions would still fill the screen, but each pixel would appear larger. Changing the setting of this larger monitor to by pixels would display the image at a smaller size, occupying only part of the screen. When preparing an image for online display for example, a Web page that will be viewed on a variety of monitors , pixel dimensions become especially important. Because your image may be viewed on a inch monitor, you may want to limit the size of your image to less than by pixels to allow room for the Web browser window controls.
Vector graphics are good for reproducing crisp outlines, as in logos or illustrations. They can be printed or displayed at any resolution without losing detail. Because computer monitors represent images by displaying them on a grid, both vector and bitmap data is displayed as pixels on-screen.
About image size and resolution In order to produce high-quality images, it is important to understand how the pixel data of images is measured and displayed. Pixel dimensions The number of pixels along the height and width of a bitmap image. The display size of an image on-screen is determined by the pixel dimensions of the image plus the size and setting of the monitor.
The examples above show a bypixel image displayed on monitors of various sizes and resolutions. In Photoshop Elements, you can change the resolution of an image because image resolution and pixel dimensions are interdependent. The amount of detail in an image depends on its pixel dimensions, while the image resolution controls how much space the pixels are printed over. Higher resolution images usually reproduce more detail and subtler color transitions than lower resolution images.
However, increasing the resolution of a low-resolution image only spreads the original pixel information across a greater number of pixels; it rarely improves image quality. Using too low a resolution for a printed image results in pixelation—output with large, coarselooking pixels.
Using too high a resolution pixels smaller than the output device can produce increases the file size and slows the printing of the image; furthermore, the device will be unable to reproduce the extra detail provided by the higher resolution image. Monitor resolution The number of pixels or dots displayed per unit of length on the monitor, usually measured in dots per inch dpi. Monitor resolution depends on the size of the monitor plus its pixel setting. Most new monitors have a resolution of about 96 dpi, while older Mac OS monitors have a resolution of 72 dpi.
The same 1-byinch image with a resolution of ppi contains a total Understanding monitor resolution helps explain why the display size of an image on-screen often differs from its printed size. Image pixels are translated directly into monitor pixels. This means that when the image resolution is higher than the monitor resolution, the image appears larger on-screen than its specified print dimensions.
For example, when you display a 1-by-1 inch, ppi image on a dpi monitor, it appears in a 2-by-2 inch area on-screen. Because the monitor can display only 72 pixels per inch, it needs 2 inches to display the pixels that make up one edge of the image. Most desktop laser printers have a resolution of dpi. Ink jet printers produce a spray of ink, not actual dots; however, most ink jet printers have an approximate resolution of to dpi and produce good results when printing images up to ppi.
File size is proportional to the pixel dimensions of the image. Images with more pixels may produce more detail at a given printed size, but they require more disk space to store and may be slower to edit and print.
For instance, a 1-byinch, ppi image contains four times as many pixels as a 1-byinch, ppi image and so has four times the file size. Image resolution thus becomes a compromise between image quality capturing all the data you need and file size. Another factor that affects file size is file format— due to varying compression methods used by GIF, JPEG, and PNG file formats, file sizes can vary considerably for the same pixel dimensions.
Similarly, color bit-depth and the number of layers in an image affect file size. Photoshop Elements supports a maximum file size of 2 GB and maximum pixel dimensions of 30, by 30, pixels per image. This restriction places limits on the print size and resolution available to an image. Changing image size and resolution Once you have scanned or imported an image, you may want to adjust its size. The Image Size command lets you adjust the pixel dimensions, print dimensions, and resolution of an image.
Keep in mind that bitmap and vector data can produce different results when you resize an image. Bitmap data is resolution-dependent; therefore, changing the pixel dimensions of a bitmap image can cause a loss in image quality and sharpness. In contrast, vector data is resolutionindependent; you can resize it without losing its crisp edges.
Displaying image size information You can display information about the current image size using the information box at the bottom of the application window Windows or the document window Mac OS.
To display the current image size: Click the file information box, and hold down the mouse button. The box displays the width and height of the image both in pixels and in the unit of measurement currently selected for the rulers , the number of channels, document dimensions, and the image resolution.
When you downsample or decrease the number of pixels , information is deleted from the image. When you resample up or increase the number of pixels , new pixels are added based on color values of existing pixels. When an image is resampled, an interpolation method is used to assign color values to any new pixels it creates, based on the color values of existing pixels in the image.
The more sophisticated the method, the more quality and detail from the original image are preserved. Downsampled B. Original C. Resampled up Selected pixels displayed for each image. Keep in mind that resampling can result in poorer image quality.
For example, when you resample an image to larger pixel dimensions, the image will lose some detail and sharpness. To avoid the need for resampling, scan or create the image at a high resolution. If you want to preview the effects of changing pixel dimensions on-screen or print proofs at different resolutions, resample a duplicate of your file.
This method is recommended for use with illustrations containing non-anti-aliased edges, to preserve hard edges and produce a smaller file. However, this method can result in jagged effects, which become apparent when distorting or scaling an image or performing multiple manipulations on a selection. Keep in mind that changing pixel dimensions affects not only the size of an image on-screen but also its image quality and its printed characteristics—either its printed dimensions or its image resolution.
This option automatically updates the width as you change the height, and vice versa. To enter values as percentages of the current dimensions, choose Percent as the unit of measurement. The new file size for the image appears at the top of the Image Size dialog box, with the old file size in parentheses.
For best results in producing a smaller image, downsample and apply the Unsharp Mask filter. To produce a larger image, rescan the image at a higher resolution. These two measurements, referred to as the document size, determine the total pixel count and therefore the file size of the image; document size also determines the base size at which an image is placed into another application. You can further manipulate the scale of the printed image in the Print Options dialog box; however, changes you make in the Print Options dialog box affect only the printed image, not the document size of the image file.
If you turn on resampling for the image, you can change print dimensions and resolution independently and change the total number of pixels in the image. If you turn resampling off, you can change either the dimensions or the resolution— Photoshop Elements adjusts the other value automatically to preserve the total pixel count. Then resample only as necessary. Then choose an interpolation method.
If desired, choose a new unit of measurement. Scanner drivers are provided and supported by the manufacturers of the scanners, not Adobe Systems Incorporated. If you have problems with scanning, make sure that you are using the latest version of the appropriate scanner driver.
Importing scanned images 6 Click OK. The magnification of the image is adjusted to display its approximate printed size, as specified in the Document Size section of the Image Size dialog box. Keep in mind that the size and resolution of your monitor affect the on-screen print size. Scanning images Before you scan an image, make sure that the software necessary for your scanner has been installed. To ensure a high-quality scan, you should predetermine the scanning resolution and dynamic range your image requires.
These preparatory steps can also prevent unwanted color casts from being introduced by your scanner. You can import scanned images directly from any scanner that has an Adobe Photoshop-compatible plug-in module or that supports the TWAIN interface. See your scanner documentation for instructions on installing the scanner plug-in.
Then open the files in Photoshop Elements. See the documentation provided by your device manufacturer for installation information. Optimizing the dynamic range of the scan Note: You can also perform this test using an percent neutral gray card or an step gray wedge from a photography store.
Keep in mind that the human eye can detect a wider tonal range than can be printed. If your scanner allows, set the black and white points before scanning a file to produce the best tonal range and capture the widest dynamic range. Uneven R, G, and B values indicate a color cast. Eliminating unwanted color casts If your scanned image contains an unwanted color cast, for example if the colors in the image are all too red in color, you can perform a simple test to determine whether the cast was introduced by your scanner.
If it was, you can use the same test file to create a color-cast correction for all images scanned with the scanner. Importing images from a digital camera Photoshop Elements works with digital camera software to import images directly from a camera.
Make sure that the software and drivers that came with your digital camera are properly installed before you import images.
Note: If the name of your camera does not appear in the submenu, verify that the software and drivers were installed properly. If you have a large number of images to import, or if you want to edit the images at a later time, deselect it. Note: If the name of your camera does not appear in the submenu, verify that the software and drivers were properly installed and that the camera is connected. Note: If the name of your scanner does not appear in the submenu, verify that the software and drivers were properly installed and that the scanner is connected.
Crop the scan if needed by pulling the rectangle so it surrounds the image. If the Clipboard does not contain image data, the image dimensions and resolution are based on the last image you created. To match the width and height of the new image to that of any open image, choose a filename from the bottom section of the Windows menu.
The resulting document will not have a background layer. Opening and importing images You can open and import images in various file formats. The available formats appear in the Open dialog box, the Open As dialog box Windows , or the Import submenu. Note: Photoshop Elements uses plug-in modules to open and import many file formats. Opening files The Open dialog box provides controls for locating and previewing files.
To bypass the Open dialog box, use the Open Recent command. There may be instances when Photoshop Elements cannot determine the correct format for a file.
For example, transferring a file between Mac OS and Windows can cause the format to be mislabeled. In such cases, you must specify the correct format in which to open the file. This option requires the Apple QuickTime extension. Note: Previews display faster if they are saved with the file. In some cases, a dialog box appears, letting you set format-specific options. Then choose the desired format from the Open As pop-up menu, and click Open. Then select the file you want to open, choose the desired file format from the Format pop-up menu, and click Open.
Opening files with File Browser File Browser helps you quickly locate image files on your computer. Thumbnails of image files are displayed to identify each image.
Portable Document Format PDF is a versatile file format that can represent both vector and bitmap data and can contain electronic document search and navigation features. PDF is the primary format for Adobe Illustrator 9.
Photoshop PDF files can contain only a single image. Photoshop PDF format supports all of the color modes and features that are supported in standard Photoshop format. You can use the arrows to scroll through the images, or click Go to Image to enter an image number.
Press Esc to cancel the import operation before all images are imported. Opening PostScript artwork 2 Select the name of the file, and click Open.
When you open an EPS file containing vector art, it is rasterized—the mathematically defined lines and curves of the vector artwork are converted into the pixels or bits of a bitmap image. If the file has an embedded ICC profile, you can choose the profile from the mode pop-up menu. You can also bring PostScript artwork into Photoshop Elements using the Place command, the Paste command, and the drag-and-drop feature.
To maintain the same height-to-width ratio, select Constrain Proportions. Opening Raw files To open a Photo CD file: The Raw format is designed to accommodate images saved in undocumented formats, such as those created by scientific applications.
Keep in mind that the on-screen size of the opened image depends on both the pixel size and resolution you choose. Either enter the correct height and width values to estimate the header size, or enter the correct header size to estimate the height and width, and then click Guess. To change the image dimensions, enter new values for Width and Height. The file size is then updated. To maintain image proportions, select Constrain Proportions.
To preview a resource, click Preview. Click the arrow buttons to step forward and backward through the resources. However, the Open command automatically opens the first resource in the file and does not display any other PICT resources in the file. An opened preview image can be edited and used like any other low-resolution file. Keep in mind that artwork is rasterized at the resolution of the file into which it is placed.
The placed artwork appears inside a bounding box at the center of the Photoshop Elements image. The artwork maintains its original aspect ratio; however, if the artwork is larger than the Photoshop Elements image, it is resized to fit. Enter a value for Y to specify the distance between the center point of the placed artwork and the top edge of the image.
Hold down Shift as you drag a corner handle to constrain the proportions. By default, these options represent scale as a percentage; however, you can enter another unit of measurement in, cm, or px. To constrain the proportions of the artwork, click the Constrain Proportions icon ; the option is on when the icon has a white background. To blend edge pixels during rasterization, select the Anti-alias option. To produce a hardedged transition between edge pixels during rasterization, deselect the Anti-alias option.
To cancel the placement, click the Cancel button in the options bar, or press Esc. Page 70 Page 71 3 Page 72 Page 73 65 Chapter 3: Working with Color amiliarity with color theory and terminology can help you understand how color is measured and how Adobe Photoshop Elements uses this information to define, display, and print color values.
You can apply colors and make color and tonal adjustments using the color information of an image. F About color and computer graphics Objects appear to be certain colors because of their ability to reflect, absorb, or transmit light, which we perceive as color. Our eyes are sensitive enough to perceive thousands of different colors in the spectrum of visible light—including many colors that cannot be displayed on a color monitor or printed on a desktop printer.
When creating computer graphics, each piece of equipment you work with to reproduce color— such as a scanner, color monitor, and desktop printer—is called a device. Each type of device reproduces a different range of color, called a color gamut.
Even similar devices, such as two monitors made by the same manufacturer, can show the same color differently. As you move an image from one device to another, its colors can shift in appearance, sometimes resulting in dramatic changes. Using color management A color management system is used to achieve color consistency between different devices.
Ideally, this means that the colors on your monitor accurately represent both the colors in the scanned image and the colors you will see when the image is printed. An ICC workflow uses color profiles to determine how colors in a file translate to actual color appearances. By associating, or tagging, an image with a color profile, you provide a definition of actual color appearances in the image; changing the associated profile changes the color appearances.
Images without associated profiles are known as untagged and contain only raw colors. The exact color profile depends on the color mode of the image. Calibrating your monitor For color management to work effectively, you must calibrate your computer monitor.
The Adobe Gamma utility, which is automatically installed into your Control Panels folder, lets you calibrate and characterize your monitor to a standard and then save the settings as an ICC-compliant profile. This calibration helps you eliminate any color cast in your monitor, make your monitor grays as neutral as possible, and standardize image display across different monitors.
Monitor color performance changes and degrades over time; recharacterize your monitor every month or so. If you find it difficult or impossible to calibrate your monitor to a standard, it may be too old and faded. Monitor calibration involves adjusting video settings, which may be unfamiliar to you. A monitor profile uses these settings to precisely describe how your monitor reproduces color.
Brightness and contrast The overall level and range, respectively, of display intensity. These parameters work just as they do on a television set.
Adobe Gamma helps you set an optimum brightness and contrast range for calibration. See Supported file formats for a complete list. You might face this issue when Photoshop Elements is installed at a custom location that contains double-byte characters in the location path.
To resolve this issue, see Photoshop Elements crashes on using the crop tool or photo collage. You might face this issue when Internet connection is lost while downloading an online template. To resolve this issue, see Error downloading photo collage templates. Get Started Learn the basics and start your first project. User Guide Get quick answers and step-by-step instructions. Tutorials Find tutorials from novice to expert to help you expand your skills. How do I download and install Photoshop Elements?
Why won't Photoshop Elements install? Can I download a trial copy of Photoshop Elements? How do I retrieve my Adobe ID or password? Can I install Photoshop Elements on another computer? Account management.
How can I change my password? My trial expires soon. How do I convert it? How do I print a receipt or invoice? How do I return or exchange an Adobe order? Fixing photos. How do I resize a photo? How do I fix red or glowing eyes after using a flash? How do I sharpen an image? How do I rotate my photo? How do I fix the colors in my photo?
Enhancing photos. How can I fix a group shot so that everyone looks good? How do I add text to a photo? Can I place my photo in a frame? Can I make my photo look like a painting or sketch? Can I make a greeting card or calendar in Photoshop Elements? Common issues. Why am I getting scratch disk full error on launching Photoshop Elements? Why can't I upload photos or videos to Facebook?
What kind of files can I import? Why is Photoshop Elements crashing on using the crop tool or photo collage? Why am I getting an error on downloading photo collage templates? Community Join the conversation. Photoshop Elements community forum. Related forum. Premiere Elements. Adobe Photoshop. Adobe Photoshop Lightroom. Elements Organizer.
